Ends are beginnings. Even for sociopaths.
Beginning Music - Selena Gomez, "Love You Like a Love Song"
End Music - Nina Simone, "Feeling Good"
Image Source: TSoT + Harlequin Presents
Sherlock updates his random access memory with archived memory based on new information. Aka, It's critical to occasionally read Mills and Boon.
Music - Righteous Brothers, "Unchained Melody"
Image Source: Setlock pic from S2 + Mills and Boon, "Master of Marshlands"
A Study in Azure - Chapter 13 - Adelaide (Not Irene) - The Not Regretful, Completely Retired Not Entirely Timeline Linear Non-Job
Music - Theme music Nero Wolfe series
Image Source: Promo Pic + Encyclopedia Brown: Super Sleuth
John chooses the most unfortunate point possible to be sensible, realistic and behave like an adult. Like spontaneous database redesign, this goes as well as one might thing.
Music - Nancy Sinatra, "You Only Live Twice"
Image Source: Mills and Boon, "Upstairs Lover"
Sherlock attempts some very dangerous spontaneous database changes in light of recent events. It does not go well.
Music - Sara Barelis, "I Will Remember You" (would have been Titanic, but you know his heart won't go on)
Image Source: (okay, mostly a promo shot) Mills and Boon, "A Tempestuous Reunion"
As she watched John Watson fall, as she watched Moriarty wave at them and give a God damned interview for the cameras about criminals brought to justice, Irene Adler thought to herself, "Enough of this shit."
Music - Duran Duran, "A View to a Kill"
Image: Harlequin books, "I'll Bury My Dead"
John needed air and space and room to breathe. The air on the rooftop was a little more air and space and room to breathe than he was looking to find.
Music - Shirley Bassey, "Goldfinger"
Image Source: (Yes, that's a Watson tartan) Mills and Boon, "A Dangerous Dowry"